By William York Tindall
This publication comprises analyses of (apparently) all of Thomas's poems, awarded within the comparable order because the poems themselves within the amassed variation of 1952.
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Additional info for A Reader's Guide to Dylan Thomas (Reader's Guides)
Photographer unknown. 23 His sound track implicates sound recording as a signifying practice and complicates a realist semiotics of listening in which the recording (sign) is taken to be equivalent to its referent (acoustic event). ”24 Here Isou’s emphasis on the materiality of recording finds a parallel in his investigation into the material basis of speech. Each contributes to the specificity of his heterodox modernism: he uses Lettrist poetry together with the sound’s second-rate transfer to critique the notion of the semiotic transparency of speech-on-film.
If the former criticism frames the film as an outrage to leftist politics and the plight of the proletariat, the latter contends that it constitutes an insult to French aesthetic discretion. Religion, too, is apparently susceptible to the film’s threat. ”2 French Cinema Dies of Suffocation 51 While the reviews suggest the variegated contours of the political context in which Lemaître screened his film, what is notable here is how the press response is mysteriously coterminous with and included as part of the screening, ostensibly the film’s premiere.
As if taking Daniel’s words to their logical conclusion, for the screening at Cannes, Isou projected two-thirds of Traité’s without images, thereby failing to provide viewers with the purportedly most basic and constitutive element of a film: the image track. Only chapter 1 of the image track was completed at the time of the film’s premiere; for chapters 2 and 3, the Vox was plunged into darkness, as the sound track voices were emitted from loudspeakers and acoustically filled the room. ”6 To be sure, what the initial screening at Cannes put in relief was Isou’s deprivileging of the image track in his pursuit of montage discrépant.