Download e-book for iPad: The Curious Case of Benjamin Button and Other Jazz Age by F. Scott Fitzgerald

By F. Scott Fitzgerald

The thought for the most important movie starring Brad Pitt and Cate Blanchett, plus eighteen different tales via the cherished writer of The nice Gatsby

within the identify tale of this assortment via one in every of America’s maximum writers, a child born in 1860 starts off existence as an outdated guy and proceeds to age backward. F. Scott Fizgerald hinted at this sort of inversion whilst he referred to as his period “a new release grown as much as locate all Gods lifeless, all wars fought, all faiths in guy shaken.” might be nowhere in American fiction has this “Lost Generation” been extra vividly preserved than in Fitzgerald’s brief fiction. Spanning the early twentieth-century American panorama, this unique assortment captures, with Fitzgerald’s signature combination of attraction and disillusionment, the US in the course of the Jazz Age.

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Additional info for The Curious Case of Benjamin Button and Other Jazz Age Stories (Penguin Classics)

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Thus, if my first book claimed generally to bring together law and literature of a particular period, this one is concerned with specific aspects of both. Page x That concern is not, however, perfectly balanced. I rarely examine in depth specific cases involving contract law. I am instead interested in the importance that legal thinkers gave to contract as a way of understanding social relations. In contrast, I do closely examine selected literary texts. This imbalance betrays my training as a literary critic.

Literature and societyUnited States History19th century.  Promise (Law) in literature.  Social ethics in literature.  Contracts in literature.  Law in literature.  Social status in literature.  Title. 48-1984. Page v To Jayne Page vii Contents Preface ix Acknowledgments xiii 1. Introduction 1 2. Contract and the Road from Equity 25 3. Henry James and the Construction of Privacy 53 4. In the Hands of The Silent Partner and Spiritual Regulation in The Bread-Winners 88 5. The Rise of Silas Lapham and the Hazards of Realistic Development 122 6.

My response is twofold. First, the story that I tell is not the only story to be told. Unlike others, I do not claim to discover a logic that accounts for every text produced in the age. At the same time, I think that my story is an important one, one that would remain untold if contract in the law and realism in literature were not put in relation to one another. Readers will have to decide if they agree that it is a story worth telling. Second, selecting other works would not have substantially altered my claims about either the failed promise of contract or a potential within realistic texts that distinguishes them from other texts written at the time.

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